The Past Is Past But There Is Something Now That I Regret Like I Was About To Do It Streaming Avec Sous Titres En Français

A triptych set in three different time periods about fathers who find themselves in borderline situations in which one is forced to make a decision among several contradictory choices.

Fram is in a German POW camp where brutal, cold-hearted Gestapo officers like Weber or Von Steinhagen terrorize and execute their Polish prisoners. One day Fram sees a way to escape the camp and he takes it, heading out to find his fellow resistance fighters.

In the 1990s, Chen Min and her husband Lin Zhuyu had a daughter, Lin Yun, but the couple had to give birth to their son Lin Qin Nian due to the pressure of inheriting the clan. Lin Qin Nian grew up in a blink of an eye... Lin Qin Nian and Li Guang are classmates and, to many others, they're besties who share everything. However, only they themselves know the changes and undertow in their hearts. When Li Guang starts dating another schoolboy, Lin Qin Nian decides to distance from him despite still having strong feelings. As the college entrance exam approaches, are they one step closer to the young adult they dream to become? Or further away from how they're remembered in each other's heart?

This documentary depicts the life of Safa Önal, who has wrote 400 scenarios during his almost a century-long life, directed 36 movies, entered The Guinness Book of Records within his 395-filmed scenario, and virtually a living history. It focuses more on Yeşilçam adventure of Önal, who witnessed blackout nights in his childhood; started writing during his secondary school years and worked for many years in the Babıali; established friendship with master writers such as Peyami Safa, Özdemir Asaf, Kemal Tahir; and his path intersected with names such as Yahya Kemal, Ahmet Hamdi Tanpınar, and Necip Fazıl Kısakürek.

The ship sails down the Yenisei River to the city of Igarka. Its passengers are those who in the 1930s and 1940s were repressed, exiled here and lived here for some part of their lives. Those who survived, half a century later, want to return to their own past. It's fun on the boat now. A song is being sung about "... everything will pass, both sadness and joy." Former "convicts" and "special settlers" relax in deck chairs on the deck, in the evenings they dance there to the orchestra, sing to the accordion - and calmly, without anguish, remember the destroyed, crumpled youth. Then some were signed up as fists, others as spies, and all of them were sent to Igarka, almost to the end of the world. And although this past seems like a dream, they cannot escape from it...

A Kuwaiti young man marries an Egyptian girl while studying in Egypt, and when he finishes his studies, he divorces her and marries his cousin, and travels without his knowledge of her pregnancy and after giving birth, Desouki marries her and raises her daughter. But after years, the father returns to Egypt and discovers that he has a daughter.

José Alberto seems condemned to wander through the countryside like a lost soul since the moment of his beloved's untimely death. Until one day, nature conspires to remind him of his torturous past. It takes strength to uncover the mystery that resides within him, and perhaps, to finally break free from living chained to melancholy.

A second generation migrant with a dehumanizing factory job returns to the land her family members left behind when they went to the city for a better life.

In the 1920s, a Kavalan family took refuge in Hualien. 70 years later, the filmmaker, a third-generation member of the family, embarked on a self-searching journey to recover his lost identity, producing the first documentary ever made by a Pingpu descendant. Through depiction of traditional Kavalan ceremonies and collective memories, the film asks us to recognise Pingpu peoples’ place in Taiwanese history, as well as their suffering and feelings of inferiority during years of forced migration.

Documentary about two girls who didn't knew what Holocaust is.

Cécilia, Marianne, two sisters who are opposed to each other find themselves in their parents' old home after their death.

The music chosen for this tour of Sicily is largely Italian; ranging from the Vienna Court Composer Salieri to Verdi and Leoncavallo.

When an American scientist carrying a cure for the AIDS virus is kidnapped by an arms merchant, John Kyosuke is forced back from retirement. He accepts the challenge to regain pocession of the anti-serum. He finds out that some of the people he is after are closely related, which gives his conquest a whole new meaning.

A group of vacationers arrive at the "White Hotel" boarding house. The director of the boarding house, bureaucrat Alexander, learns that among the vacationers there is a film director who is studying the life of the boarding house for his upcoming film. Alexander considers one of the vacationers to be the director for some reason and will set a cruel regime in the boarding house to please him.

Hamdi, a young boy meets his mother in a dream. She tells hims three things that are going to happen in the future.

To meet the desires and needs of the parents, a marriage is arranged between 14-year-old Gjino and 20-year-old Marigo. Gjino reluctantly obeys, but Marigo, who loves another, tries various devious methods to free herself from this bizarre marriage agreement.

"Tourou et Bitti", an eight minute documentary concerning a ritual in Niger, is yet another example of Rouch's excellence in creating documentaries which surpass the conventional documentary format. Just as frightening and fascinating as "Les maîtres fous", this one goes straight into the roots of ancient African cultures, in which music has an hypnotic effect, being at the same time an exorcism and a public show. Both the female and the male dancers are almost deities about to be unleashed... Spectral and humanitarian.

A Fond Face from the Past is also set in a rural community, specifically a village outside Kameoka, near Kyoto. In some ways this short, thirty-six-minute film is Naruse's most moving negotiation of the militarist restrictions of the time, perhaps because it is also his most direct engagement with the culture of war. When a newsreel comes to Kameoka featuring a local man named Yoichi, it causes some excitement in the community and, of course, in Yoichi's own family. First of all his mother makes the newsreel (Nippon News, no. 14), which begins with the same marching music that opens his own film, followed by a curious baby judging context in Los Angeles featuring two hundred Japanese babies. Released in January 1941, almost a year before the pacific war begins, this “found footage” is indicative of Japanese imperialist ambitions beyond Asia long before Pearl Harbor.